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Soft Cell's Creative Genius Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell alongside Marc Almond at Leeds in 1977

The talented musician, one half of the groundbreaking 1980s synth-pop duo Soft Cell, has passed away at the age of 66.

Alongside singer Marc Almond, the pair scored a global success with their cover of Gloria Jones' the classic track Tainted Love in 1984, and their debut album their initial full-length release is considered a classic of electronic music.

He later formed the pioneering techno group The Grid, who secured popular acclaim with 1994's Swamp Thing.

Ball died peacefully in his sleep at his residence in London on Wednesday 22 October, only a short time after playing a headline show with Soft Cell at the Rewind Festival in Henley-on-Thames.

Recent Health Challenges

At that performance, Ball appeared in a wheelchair, as he had for the previous couple of years, after a period of ill-health.

"I ended up injure myself significantly," he commented in a recent interview. "I fractured spinal bones in my back and cracked about five ribs and broke my wrist."

Following contracting a lung infection and suffering from sepsis, he was put in an induced coma and stayed in the hospital for half a year.

Nevertheless, he had been in "a great place emotionally" during the warmer months, as he worked on a new album with Almond, titled Danceteria, which is scheduled for publication next year.

"He was focused and so happy with the latest project that we literally completed only a short time ago," said the singer in a heartfelt message.
"It's truly heartbreaking as next year was completely planned to be such an uplifting time for him, and I take some solace from the knowledge that he heard the completed album and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the forefront of the synth-pop movement in the beginning of the decade

Tributes

Almond described his collaborator as "an exceptionally talented musical genius", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.

"Thank you Dave for being an immense part of my existence and for the music you gave me. I couldn't be where I am without your influence."

Richard Norris from The Grid, shared his condolences, remembering Ball's "endless laughter" and "steadfast support".

"Forming a duo with someone is distinct from being in a group, the connection is incredibly close," he continued.
"That's how it was with us. We experienced so many remarkable, extraordinary, life-affirming moments together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in recent years

Formative Years

Brought into the world into a single-parent household in the city of Chester in 1959, Ball was put up for adoption when he was a year and a half of age.

He was raised in the seaside town with adoptive parents Donald and Brenda Ball, who altered his given name from Paul to his adopted name, together with his younger sister his sister, who was also adopted.

He encountered Almond at Leeds Polytechnic in the late 70s, where they were both learning art. Inspired by a mutual passion of Northern Soul, they established Soft Cell the same year, and quickly recorded an EP.

Musical Partnership

The duo were an distinctive pairing: Ball was the quiet technician, hunched over his keyboard, while Almond was a flamboyant performer, all sparkle and eye-liner; but they attained a rare musical alchemy.

Ball had developed a fascination with synthesizers after watching Kraftwerk appear on a television science show Tomorrow's World, and began to marry moody electronic sounds to the catchy tunes Almond was writing.

Their signature song became the United Kingdom's second biggest-selling song of the early 80s, shifting 21 million copies globally. Alongside hits by Gary Numan, Human League and electronic acts, it contributed to cleared the path for the synth-pop sound of the 80s.

The track was also included on their first album, their initial LP, which spawned two further high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the stand-alone single, Torch, which reached at the second position in the following year.

Soft Cell in the studio
The duo were working on new material until just before Ball's passing

Career Highlights

Fame had its benefits. "I loved being able to afford my initial property, having money and travelling, which makes me sound like a Miss World," Ball not long ago told with a music magazine.

But it also caused problems. "Newfound wealth meant we could afford newfound drugs to alleviate the boredom" of press appearances and television shows, Ball said.

"I know that's a common saying, but it's a cliché for a good reason, because it works for so many musicians."

During the hedonistic lifestyle, the pair were also growing distant, but they succeeded to create a follow-up memorable record - the unconventional, tense and fittingly named The Art Of Falling Apart.

They released one more album, 1984's This Last Night In Sodom, before dissolving the group to concentrate on other projects.

Almond went on to have a prosperous solo career, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who combined acid house with melodic sounds over a enduring collaboration.

Reunions and Final Projects

Soft Cell reunited in 2001, releasing the charting album Cruelty Without Beauty.

Following another hiatus, they reappeared in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a farewell show at the O2 Arena on September 30, 2018.

However, they remained together, creating their latest project, Happiness Not Included, during the pandemic restrictions.

Ball recently characterized the duo's new album as a homage to the New York club scene they frequented while recording their initial records.

He added that his period in hospital had influenced the group's music.

"I had strange recollections when I was coming and going of the hospital because I was on morphine," he told a publication.
"Our latest tracks are a digital reflection of the noises in my head from that time.
"In parallel, it's about the experiences we got up to in the 80s."

The final mixes were completed only days before Ball passed away. It is due for release in Spring 2026.

Written by

Paul Young

A tech journalist and digital strategist with over a decade of experience covering emerging technologies and their impact on society.

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